Eladio Aguilera, Sosthène Baran, Taisiia Cherkasova, Max Fouchy, Misha Gudwin, Clémence Mars, Pierre-Alain Poirier, Iuliia Skromnaya

De la Tendresse, vol.II

Project Info

  • 💙 Placement Produit @ Poush Manifesto
  • 💚 Eliott Paquet
  • 🖤 Eladio Aguilera, Sosthène Baran, Taisiia Cherkasova, Max Fouchy, Misha Gudwin, Clémence Mars, Pierre-Alain Poirier, Iuliia Skromnaya
  • 💜 Eliott Paquet
  • 💛 Eliott Paquet

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Clémence Mars Applique Mini 3 & 4 resin, LED 60 x 20 cm 2023
Clémence Mars Applique Mini 3 & 4 resin, LED 60 x 20 cm 2023
An anti-critical show by Placement Produit
Exhibition view
Exhibition view
Taisiia Cherkasova In the pines, where the sun don’t ever shine Wood, leather, tissus, wax, inks 230 x 140 x 160 cm 2024
Taisiia Cherkasova In the pines, where the sun don’t ever shine Wood, leather, tissus, wax, inks 230 x 140 x 160 cm 2024
Sosthène Baran Pensées Oil and acrylic on wood & wood piece 48 x 29 cm 2024
Sosthène Baran Pensées Oil and acrylic on wood & wood piece 48 x 29 cm 2024
Max Fouchy Sam Video loop 6 min 42 sec 2024
Max Fouchy Sam Video loop 6 min 42 sec 2024
Scenography by Taisiia Cherkasova & Sosthène Baran
Scenography by Taisiia Cherkasova & Sosthène Baran
Exhibition view
Exhibition view
Pierre-Alain Poirier Nuit noire (série des Boites noires) birdcage, metal, rambling leather jackets, carboard 39 x 23 x 30 cm 2023
Pierre-Alain Poirier Nuit noire (série des Boites noires) birdcage, metal, rambling leather jackets, carboard 39 x 23 x 30 cm 2023
Eladio Aguilera Pintor español sobre chimena MDF, book and dry flowers 140 x 140 x 30 cm 2024
Eladio Aguilera Pintor español sobre chimena MDF, book and dry flowers 140 x 140 x 30 cm 2024
Iuliia Skromnaya Fairies in the house Faience (handmade), wire 19 x 40 cm 2024
Iuliia Skromnaya Fairies in the house Faience (handmade), wire 19 x 40 cm 2024
Pierre-Alain Poirier Lygia / les années 70 / J+A / des inconnus - boite/guillotine Metal, magnets, print, screws Goutte (bout d’arbres / bout du ciel de Magny / bout du visage de L) - boite/guillotine Metal, magnets, print on paper, screws
Pierre-Alain Poirier Lygia / les années 70 / J+A / des inconnus - boite/guillotine Metal, magnets, print, screws Goutte (bout d’arbres / bout du ciel de Magny / bout du visage de L) - boite/guillotine Metal, magnets, print on paper, screws
Exhibition view
Exhibition view
Sosthène Baran sans titre Oil and acrylic on bedhead 190 x 140 cm 2021
Sosthène Baran sans titre Oil and acrylic on bedhead 190 x 140 cm 2021
Installation view of Misha Gudwin
Installation view of Misha Gudwin
Misha Gudwin Birthday Cake Cake, 5 grams of marijuana, rolling paper Variable dimensions 2024 / deep fried toys Plastic, breading, containers Variable dimensions 2024
Misha Gudwin Birthday Cake Cake, 5 grams of marijuana, rolling paper Variable dimensions 2024 / deep fried toys Plastic, breading, containers Variable dimensions 2024
Taisiia Cherkasova Orange kitten and the rat Acrylic inks on wood 18 x 30 x 3 cm 2024
Taisiia Cherkasova Orange kitten and the rat Acrylic inks on wood 18 x 30 x 3 cm 2024
Exhibition view
Exhibition view
Scenography by Sosthène Baran & Taisiia Cherkasova
Scenography by Sosthène Baran & Taisiia Cherkasova
Misha Gudwin Magic Mirror Paper mache, aluminium, acrylic 110 x 130 cm 2024
Misha Gudwin Magic Mirror Paper mache, aluminium, acrylic 110 x 130 cm 2024
Clémence Mars Lustre Resin, metal, LED 55 x 55 x 35 ou 65 x 65 x 35 cm 2024
Clémence Mars Lustre Resin, metal, LED 55 x 55 x 35 ou 65 x 65 x 35 cm 2024
In direct continuity with the first part of the De la Tendresse exhibition, the project takes as its starting point the desire to produce an absolutely anti-critical exhibition devoid of irony. A parallel is proposed between the tenderness experienced between beings within the home and that experienced with everyday objects: the home slides from symbolic space to materiality. The artists confront the post-industrial space of POUSH - typical of artists’ studios in the Paris basin - with sensitive works invoking the domestic universe; they become shepherds of a set of gestures that are part of the field of everyday tenderness, like hyphens between beings and artefacts.
Eliott Paquet

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